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- <text id=89TT0394>
- <title>
- Feb. 06, 1989: Poetry On The Prairie
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Feb. 06, 1989 Armed America
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- VIDEO, Page 78
- Poetry on The Prairie
- </hdr><body>
- <p>By Richard Zoglin
- </p>
- <qt> <l>LONESOME DOVE</l>
- <l>CBS, beginning Feb. 5, 9 p.m. EST</l>
- </qt>
- <p> A pair of former Texas Rangers, now tending a small ranch
- in South Texas, suddenly pick up stakes and launch a cattle
- drive to Montana. Why? A friend has convinced them that there
- are big opportunities up north. What's more, says one, "I want
- to see that country before the bankers and lawyers all get it."
- But if the truth be told, the long trek -- initiated by an
- almost chance remark, beset by terrible hardships -- seems a
- futile whim.
- </p>
- <p> From a commercial standpoint, futility might also describe
- the CBS mini-series Lonesome Dove. TV westerns went out of vogue
- nearly two decades ago, and remain the medium's most stubbornly
- unfashionable genre. Lengthy mini-series too are at a low ebb
- of popularity, especially after last fall's disappointing War
- and Remembrance. Will crowds of viewers really mosey to the set
- for a four-night, eight-hour saga about cowboys on the trail?
- </p>
- <p> Mebbe not. Yet Lonesome Dove rides rings around the
- overstuffed soap operas that usually pass for "epics" along
- Broadcast Row. Larry McMurtry's fat novel has been brought to
- TV -- by writer Bill Wittliff and director Simon Wincer -- with
- sweep, intelligence and sheer storytelling drive. Firmly
- anchoring the film is Robert Duvall's moving performance as the
- wry, philosophical ex-lawman Augustus McCrae. Tommy Lee Jones
- provides stern counterpoint as McCrae's partner, Woodrow F.
- Call. Dozens of finely etched characters surround them: a
- roguish ex-Ranger turned gambler (Robert Urich); a prostitute
- looking for escape (Diane Lane); a wimpy sheriff (Chris Cooper)
- searching for his runaway wife; and a lost love (Anjelica
- Huston) whom McCrae locates on the plains of Nebraska. Not to
- mention sadistic outlaws, vicious Indians and other disasters,
- natural and man-made, on the road to Montana.
- </p>
- <p> In the mode of westerns like The Wild Bunch, Lonesome Dove
- notes the passing of an era. "Durn people makin' towns
- everywhere," says McCrae. "It's our fault too. We chased out the
- Indians . . . hung all the good bandits . . . killed off most
- of the people that made this country interesting to begin with."
- But Lonesome Dove is surprisingly nonrevisionist in its picture
- of the West. The good guys still perform stunning heroics with
- six-shooters, and Indians are faceless villains who whoop when
- they ride. Yet in its everyday details -- the dust and the spit,
- the casual conversations about whoring, the pain of a man
- getting a mesquite thorn removed from his thumb -- this may be
- the most vividly rendered old West in TV history.
- </p>
- <p> There are scenes of harrowing violence and terrible
- brutality, made more shocking by their matter-of-fact
- presentation. A hanging on the trail is so swift and morally
- disturbing that the unsuspecting viewer is left breathless.
- Suffusing it all is McCrae's stoic resignation in the face of
- misfortune. "Yesterday's gone; we can't get it back," he tells
- a man grieving over three murdered bodies. "You go on with your
- diggin', and I'll tidy up the dead." In its terse prairie
- poetry, Lonesome Dove celebrates not just the old West but also
- the men who could witness the randomness and cruelty of life and
- accept it.
- </p>
-
- </body></article>
- </text>
-
-